IIT KGP En Plein Air Diary – Chapter VII

Sin and Redemption

29 July 2017, Day 6 of the shoot

After the Jnan Ghosh shoot we pushed on to Harrys’ (now called Tikkas’). The footage of earlier shoot at Harry’s had gotten deleted by mistake. Hence we were back today to shoot there again. No one really likes it when such accidents happen. I was also disappointed albeit momentarily. My first painting at Harry’s had not gone off well. It was a little overworked and I was not happy with it at all. It kept troubling me until I heard the news about the footage. After the initial shock I felt a sense of calm putting my troubled mind to rest. A divine intervention had given me a second shot at Harry’s, and a chance of redemption.

Also read the Prologue , Chapter I , Chapter II, Chapter III, Chapter IV,  Chapter V and Chapter VI of IITKGPEPA Diary!

Before the shoot all of us did the customary breakfast at Harrys’ of Dal Puri, Sabzi, Rasagolla and coffee. I have always enjoyed having breakfast at Harry’s. In fact I don’t know anyone who does not swear by it. A great combination of taste, flavour and texture; the breakfast tasted exactly the same as it used to taste twenty years back. But what makes the breakfast unique is the ambience. I am not sure if one can get to sit under the shade of a banyan tree with huge open spaces all around to have one’s breakfast while listening to the chirping of birds (and occasional droppings) in the company of friends anywhere else other than Harry’s.

Vegies/Eggies is the lifeline of student life after dark. Harrys’ takes up this role during rest of the day. This is the chai adda of KGP. I have always loved this place. But during this visit to KGP this place made me realize how privileged I have been to spend a part of my life here in the lap of nature. While being at KGP we probably take the greenery for granted. But only when we go out of KGP to man-made concrete jungles we realize how fortunate we have been to have lived here. Dotted with old and ancient trees, the mini forests of KGP campus serve as a safe haven for many species of birds and reptiles. But with so much of construction work happening around the campus some of this natural heritage is under threat. And I hope the development work does not bring much damage to the natural ecosystem here.

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Painting in a 'C' curve — Painting in a ‘C’ curve

After a hearty Harrys’ breakfast it was time to get back to the job. And to my pleasant surprise I had the company of one of the better-known artists in the campus to paint with. Gopinath is a final year student and a well known member of the art club at IIT KGP. It was very good to have him painting alongside- painting outdoors in a group always energises me and I was very happy to have Gopinath with me today.

Today was last day of the shoot and I can’t help but wonder how things have panned out in the last eight days. It seemed game over even before the project began. It felt as if the universe did not approve of the scheme. But now it feels like things could not have gone better. Every place I made a painting of was done at the appropriate time and in the right settings and right frame of mind. I could not have got such a romantic wet scene of Nehru Museum had it not been for the rain. It was a difficult choice between my memories and the outer reality, but I am glad I decided to paint the former at Azad Hall. The timing of painting the main building probably brought out the emotionality in the painting. The accidental conversation at Vegies had settled my nerves and I ended up with a painting that surprised even me. The fading light on the first trial shoot at Kali Das’ had made sure I painted the place at a later time when it had a great mood. I could not have gotten better light than what I had today morning at Jnan Ghosh. And finally it was Harrys’ where I redeemed myself because of nothing less than a divine intervention.

The painting came together with the shadow wash at the bottom

A cynic would probably dismiss it as coincidence, but not the romantic in me. During one of the shoots the director of the film had mentioned a quote about making documentaries.

“For fictional films the director is God but for a documentary, God is the director.”

I can’t speak for documentary films in general, but for me IITKGPEPA project has just illustrated this point.

En Plein Air at Harrys' — En Plein Air at Harrys’

Next Up - The Conclusion of IITKGP En Plein Air Project

IIT KGP En Plein Air Diary – Chapter VI

The Insignificant One

29 July 2017, Day 6 of the shoot

When sun comes out after continuous rains of almost a week, it really does look bright and glorious. The light looks fresh and the greenery even fresher. Which is how it was today morning -the lush green Jnan Ghosh stadium washed in the ochre light of the sun was a stunner. And when nature is at its best you know who the only real artist is.

Also read the Prologue , Chapter I , Chapter II, Chapter III, Chapter IV and  Chapter V of IITKGPEPA Diary!

With grass below my feet.... — With grass below my feet….

As I approached Jnan Ghosh stadium today early in the morning, I could see NSO classes going on in full swing. The physical training coach was shouting out commands for an aerobic session and a huge gathering of students in front of him were following his movements and instructions. As I got close their actions seemed to be almost nonchalant and understandably so. There was something common between the NSO squad and me today morning. Both of us did not want to perform what we were supposed to perform in Jnan Ghosh.

It was indeed a difficult task to paint today morning as I just wanted to enjoy the fleeting beauty of nature to the fullest. I wanted to enjoy that emptiness of space around me where Mother Nature was busy playing with an analogous and minimalist colour scheme of yellow and green. But I was there to do a job. So I tried to fill up my canvas with same hues and tones to capture the rare golden ochre light which was slowly turning harsh as the sun moved overhead.

The work I ended up with was a decent one. But still it was a humbling experience to paint at Jnan Ghosh stadium today. The beauty of nature is beyond human imagination and human grasp. Every time I am faced with such beauty it makes me realise of my insignificance and the insignificance of what I do.

But I guess this realization is a good thing and one of the major benefits of painting en plein air.

Next - Redemption at Harrys'

IIT KGP En Plein Air Diary – Chapter V

Head or the Heart?

27 July 2017, Day 5 of the shoot

Painting at night under outdoor lighting is an exercise in self belief. The outdoor light makes all colors look almost same. It is difficult to gauge even the tonality of the paint. In a nut shell, the visual feedback from the painting is almost gone. So you have to get a feel of how paint flows on paper and trust your instinct and go ahead with painting. Painting today evening at Vegies was no different.

Also read the Prologue , Chapter I , Chapter II, Chapter III and Chapter IV of IITKGPEPA Diary!

People don't come to Vegies just to eat — People don’t come to Vegies just to eat

People do not come to Vegies to eat. They come there to have conversations (not discussions), wonder about life (even afterlife in some cases), introspect, plan their futures, pass time, grow their love lives, find new love, discover themselves…… Some people come there just to be at Vegies. Vegies probably is at the heart of student life at KGP. And when you know you are going to paint something so close to heart of all KGPians and that too in the night, you know you are under pressure. I was quite nervous about the painting today.

Something's cooking — Something’s cooking

But when there is a problem, a solution often comes with it.

I set myself up to paint on one corner table. There were two guys already at the table, and as it turned out they were already aware of IITKGPEPA project. So a conversation started immediately between the three of us as I started to sketch. The conversation was about the age-old tussle between the heart and the head. The path of the head is always more predictable while the path of the heart is full of surprises at every turn. But following the later is more fulfilling than the former. And those who realize that there are actually two paths to choose from are always looking for answers to make up their mind. The two guys sitting with me, at the beginning of their adult lives and standing at the cross roads of head and heart finally turned to me to provide them with some answers. I carefully avoided answering such an existential question, because I don’t think such questions really have a clear answer. And frankly I did not have any answers at that point of time. I could sense that they were a little disappointed with whatever I had to offer. However the conversation had worked its magic and the butterflies had flown out of my stomach.

The film crew had also arrived by then and my painting seemed to progress well. The painting got over around the same time when Vegies was transforming to Eggies and it was becoming noisier and livelier. Back in the room under better lighting conditions, when I checked the painting to see how it had turned out, I was very pleased. What I had in front of me was different from the way I usually paint. It would not have turned out this way had I painted this under proper lights. Painting in full light surely would have been safer, more predictable (discounting the fact that watercolour itself is not very predictable) and eight out of ten times I would have made a successful painting. But by taking the risk of painting at night under street lamps and following my gut instinct I ended up with something that surprised even myself. But it does not always happen. In fact most of the time, it is a disaster. But today was a day when things fell into place and hence there was this small little self discovery sort of thing about myself as an artist.

More importantly I guess I had found some answers to the questions that I had avoided answering earlier in the evening today.

Next - Capturing the ochre light at Jnan Ghosh stadium

IIT KGP En Plein Air Diary – Chapter IV

A long due wish fulfilled

26 July 2017, Day 4 of the shoot

The Canteen at Nehru Museum, popularly known as “Kali Da’s”, was not on my list of places to paint; because it never existed twenty years earlier. But when I happened to be there just five days earlier, I really did not have to think about it twice. I knew I had to paint this place.

Also read the Prologue , Chapter I , Chapter II and Chapter III of IITKGPEPA Diary!

Kali Da’s is that kind of a place that transports you back in time. It slows you down completely. The canteen runs on the first floor of Nehru Museum on the rear side corridors. Big arched windows line the corridor, overlooking archaic tile roofed buildings cramped between centuries old banyan trees. The rays of the sun find it hard to penetrate the thick leafy canopy, but those that do – create a mystical ambience with the dappled light . And when it rains, it’s a sight to behold! It makes you forget about your isolated physical existence as you feel completely one with nature. And with the pocket friendly offerings of tea, snacks and shikanji, it’s a place that can inspire writers, poets, singers, dancers, and of course – painters.

I too was more than inspired when I went there five days earlier. In fact I was kind of desperate to paint this place. I did have a try on the first day of shoot in the afternoon. But the cloud cover had made the light too weak for shooting. The place from where I wanted to paint was middle of the alley that connects the front corridor to the rear corridors and the lack of light there did not make it easy to paint, let alone shoot.

The light where I painted was just manageable

Today, however, there was enough light for me to paint – though still not good enough for the film crew. But I am sure they still did get some great shots. Moreover; today not being a weekend the canteen was open unlike the last time I wanted to paint here. And there was this subtle buzz around with people enjoying tea and conversations. It really helped to build a great mood for the painting along with the sense of solitude that still hung around in the air, irrespective of the people present.

The final work was satisfactory. I think I did manage to capture the reflective and introspective mood of the place. But that was not the reason why I felt so happy and full of joy today. Though I saw this place just five days before, it felt as if a long due wish to paint in this place has been fulfilled.

En Plein Air at Kali Da's — En Plein Air at Kali Da’s

Check out what happens next when I painted Vegies under street lamps.